Perception of loudness. Cochlea. Macrochronic Processes. Quasi-stationary processes. Membrane fluiditiy. Quarter tones. Whole tones. Phons. Air Chambers. Anechoic Chambers. Haas effect. Sound Reinforcement. Milliseconds. Phase issues. One over delta frequency. Duration threshold. Cupcakes. Bi-aural localization. Picofarads. Effects of fatigue. non-homogeneous sounds. Intonation Inaccuracies. Audibility of distortion. Volume fluctuation.
Holy crap, what was I thinking? Psychoacoustics? I could've done something like microphone anatomy or something. Instead I chose to merge two of the most complicated and contradictory things. Physics alone, with all it's cold, objective calculations is enough to make my left hemisphere explode, tie that in with all the subjective unknowns of the human mind and I've got a strong, legitimate formula for M-M-M-M-M-MADNESS!!!!!! (*&A # E R*&c8 7gtT^ F* ) uc)(8y*&(C*&*& T$# F8 g 49hG*C*&G C&c7c7Cy4hy 897G*YD*(*&(Y^*&cg G4#hfrhgf0*(CH 9ce789e76R CIUGEF9 *(YUV t7vrt
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